French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,  Related Paintings of POUSSIN, Nicolas :. | The Rape of the Sabine Women af | The Nurture of Bacchus ag | Landscape with Saint Matthew and the Angel | Strormy Landscape with Pyramus and Thisbe | The Triumph of Neptune (detail) DF |
Related Artists:
Louis-Jean-Francois Lagrenee
French Neoclassical Painter, 1725-1805
Bernhard Wiegandt
painted Sao Clemente Street, Rio de Janeiro in 1884
Pietro Vannuci called il Perugino
Citta della Pieve ca 1448-Fontignano 1523